‘The Last Match’ Review: A Seamless Blend Of Wrestling, Rock and Musical Theater

Set against the backdrop of the squared circle, “The Last Match” seamlessly blends the larger-than-life spectacle of professional wrestling with the electric energy of rock ‘n’ roll and the cinematic storytelling of musical theater – making it a truly one-of-a-kind experience.

Now, I’ll be the first to admit that musical theater isn’t a niche that I generally gravitate toward, but after attending the production’s opening night in Rochester, I emerged with a newfound appreciation for it. Likewise, upon speaking with some non-wrestling fans afterwards, I learned that “The Last Match” opened their eyes to the world of professional wrestling.

Created and directed by Jeremiah James, “The Last Match” follows the story of 30-year veteran Ben Vengeance (played by the singer of 80s tribute band The Reagan Years, Anthony Nuccio), who is preparing to step into the ring for his final match at BTD Wrestling Alliance’s World War V event (set in the year 1989). 

Vengeance’s final match isn’t just a normal retirement match; it’s a title match for the coveted BTD Heavyweight Championship – a title that Vengeance has held a record-setting 12 times. For this occasion, Vengeance is slated to defend his title against the ever-conceited and crude Alexander Swagger (played by British professional wrestler – and in my opinion, the bloody brilliant – Simon Miller), who is looking to position himself as the next top star in BTD.

Fueled by his pure respect and passion for the wrestling business, Vengeance seems inclined to put over (or in layman’s terms – lose to) Swagger on his way out. His girlfriend and fellow professional wrestler, “The Fabulous” Miss Jenny (played by Mikayla Agrella), however, wants to see BTD honor Vengeance’s legacy with a departing title retention. 

Ultimately, the outcome of Vengeance’s final match will be decided by The Boss (portrayed by TNA Wrestling commentator Matthew Rehwoldt), who, with his Vince McMahon-inspired strut, reiterates that “nothing in the ring is personal, it’s just business.” With multiple different agendas circulating, the finish to this title match is far from predictable, leading to a rather captivating sequence of events.

Outside of the main event storyline between Vengeance and Swagger, viewers are also introduced to a diverse cast of supporting characters who carry forth terrific talent in in-ring, vocal, narration, and theatrical performance. The Ref (played by Trinity Colvin), specifically, covers all four of those departments with enthralling ease. In addition to her duties as the in-ring official and on-stage singer, Colvin provides valuable narration that not only ties several scenes together, but also effectively explains wrestling jargon for the non-wrestling members of the audience.

Another stand-out performance stems from that of former TNA Knockouts Mickie James, who plays the over-the-top character of The Mother. Alongside being a multi-decade veteran in the ring, The Mother is known for being exactly that – a mother (of 15 kids, to be specific). James, of course, fits both of these categories in real life, making her a natural fit for the role of The Mother. (James’ vocal abilities also come to the forefront as The Mother delivers a raspy and highly entertaining singing promo ahead of her match against Miss Jenny).

Professional wrestling fans will be treated to some more familiar faces, as the likes of Bull James (slotted as Sam the Barbarian), Afa Anoa’i Jr. (The Surgeon/Son of Stalin), and McKenzie Mitchell (commentator Scarlett Sublime) unleash their own unique personalities in the show.

Aside from the magnificent cast, I also have to give props to Sylvana Joyce and The Moment, the band of “The Last Match,” whose exhilarating performance greatly complements the 80s-themed production. Jason Huza is credited for the musical’s book and lyrics, while Sylvana Joyce and guitarist C. Robert Smith additionally serve as composers and lyricists. 

Overall, with its gripping narrative, compelling in-ring action, and soul-stirring music, “The Last Match” engages the audience from the beginning to the end, or in this case, the first bell to the final chord. So whether you’re a wrestling enthusiast, a music aficionado, a theater kid, or simply someone looking for a night of entertainment, “The Last Match” promises to be an absolute must-see. 10/10, would (and will) see it again.

“The Last Match” will continue its tour with a few more dates in Winston-Salem, Columbia, and Atlanta.

For more information about “The Last Match” and how to purchase tickets, click here

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